Racial Equality in Employment Coursework Example | Topics and Well Written Essays - 5500 words

Racial Equality in Employment - Coursework Example By 11th century the Normans became the rulers of England for many years. Hence, indeed, there is a Norman element in Britain. After the Normans stopped ruling England no other ethnic groups made significant inroads to Britain (Trevelyan). are spread over many countries in all the continents now. This is indeed a colonial legacy. Another colonial legacy is the influx of races from former colonies to Britain. While the Britons were in the colonies they were the ruling class and the Africans, Asians and the Caribbeans their subjects. However after the dismantling of the colonial empire, back in the country of their former masters, they became citizens. Citizenship meant a perception of legitimate right for equal rights with the fellow whites. This is the background to the tensions between the ethnic minorities in UK and the whites. The attitude expressed in the ditty, is not typical to the Anglo-Saxons, it was somewhat universal. The Jews generally believed that their special relation with Jehovah made them the superior. However they did not try to establish their biological superiority. But the Victorian Anglo-Saxons believed that they are racially superior, and qualities like literary taste, creativity and even honesty were inherited by them by virtue of bei... Page 3 were inherited by them by virtue of being born in that race. The deeply ingrained racial prejudices find expression in Shakespeare's, Othello and The Merchant of Venice, way back in the 16th century. The dark colour in popular Christian piety is associated with evil and the colour of Othello, the Moor, is the symbol of the evil in him while the white complexion of Desdemona is the epitome of guileless innocence. Shylock, the Jew, is the embodiment of evil of the race that killed Christ. While the Fatherhood of God and the brotherhood of all men were central to Christian faith (The New Revised Standard Version, Lk.11.2) only a minority seems to have understood. In Europe most people believed that nonwhite people lacked the qualities of intellect, mind and heart, which the white so abundantly possessed. This notion in Britain and North America focused more on the Anglo-Saxons as the best of the whites. Did this attitude of the whites to other races in the subliminal level determine the ir conduct to other races What is Equal Opportunity Arriving at the precise and generally accepted definition of equal opportunity is a formidable task. However, over Page 4 the years, the concept is achieving greater clarity and some kind of convergence is in the offing. Equal opportunity is a descriptive term for an attitude attempting to provide equal access to a milieu or benefits, like education and training, job opportunities, medical care and access to social welfare assistance. This attitude underlies a genuine desire to empower groups that have, over the years, bore the brunt of discrimination. The groups who need to be uplifted are identified on the basis

Discuss the role of craft and decoration in C.H. Townsend's Essay

Discuss the role of craft and decoration in C.H. Townsend's Whitechapel Art Gallery (1901) what kind of social ambitions do th - Essay Example He was born in Birkenhead, Cheshire and started his architectural career as a draftsman in London. He later branched off to his own in 1877 and built connections with RIBA and the Art Workers Guild. He became the Master of the Art Workers Guild in 1903. It has been argued that he might have been the only English Architect to have worked in Art Nouveau. However, Townsend considered himself an exponent of the freestyle movement of the Arts and Crafts Movement. Some of his buildings that stand out in style and originality include the Bishops Gate Institute, the Horniman Museum and the Whitechapel Art Gallery. The Whitechapel Art Gallery was a clear attempt by Townsend to showcase the spirit and ideals of the Arts and Crafts Movement. On the exterior, the building has a two tower feature that is a signature feature of Townsend’s architectural designs. It has a relatively wide frontage and it fits organically into the environment around it. Perhaps this imposing nature of the desig n was intended to portray the building as an important and authoritative structure in the East London area. By blending organically with the surroundings, the structure ably served its purpose of providing recreation for the locals without seeming pervasive. The main doors of the Whitechapel gallery go in at the street level. The placement of the doors is done in an asymmetrical way on one side. The large semi-circular light above them naturally takes the eye upwards leading to the impressive keyed arch on top. From the onset, the art gallery was designed for the people. Hence, by putting the doors to go in straight at the street level, Townsend projected the building as easily accessible. A person walking on the streets could instantly connect with the building and easily enter if interested. Also, the light on top of the door was a natural way of allowing a person’s eyes to wander and explore the other compelling feature of the building: the rounded, arched keyway. This dec orative and artistic piece purposively ushered a person into the art gallery in a subtle way. Suffice to say, the keyed arch is neatly tucked into the building and not protruding into the streets in an intrusive manner. This design made the building to feel like a natural fit into the surrounding area without seeming intrusive. The elaborate frontage design of the building was perhaps meant to make it standout in contrast with the railway stations that were already running in the place. The railway stations were uninviting and dull. Also, the underground trains were running through darkness in the tunnels. In contrast, the Whitechapel Art Gallery frontage was bright and welcoming. It opened quickly into a space where the mind could engage in a captivating journey. The frontage of the building was meant to act as an inducement for people to come into the gallery and explore the art pieces on exhibition. The design had the role of attracting passer-bys and engages their curiosity on t he things that they could find inside the gallery. In fact, the gallery attracted over two hundred thousand people during its first exhibition. The towers of the building are square in design but taper as they rise. At the top, the towers divide into four turrets with a larger turret in between. Previously, Townsend had a much more bold design that he showcased 1890s. The design of the towers projected the relationship between the earth and the